modern progressive house/ electro trance crossover. talla going back to his electro roots. supported by jerome ismae on remix duties and hammered by markus schulz, jerome isma-ae, tom novy, armin van buuren, ....
uberzone releases the second single from his album >ideology<. features the >back to analogue< mix courtesy of hybrid and the >2 bit downgrade< mix by uberzone himself
hybrid is one of the most successful, influential and renowned electronic acts in the world. their prolific touring has justifiably earned them incredible global support and adulation. sales are in excess of 150.000 albums worldwide. this is the first single from hybrids brilliant new album. following the success of the recently released hybrid album i choose noise, hybrid is releasing a series of three 12 singles satisfying the demands of fans and clubbers worldwide
man is a rope is not a band but rather a process developed by new york songwriter / producer / artist, evan t. q. kreeger. using live instrumental and vocal performances with analog effects to make electronic hybrid music rather than employing virtuals, loops or samples, man is a rope creates its own unique dark dynamics and complex churns which invoke elements from no wave, early mute/4ad, rowland s. howard, the cabs, detroit / birmingham techno, a certain ratio, the swans, coil, 70s crimson, and film music. these works are composed in parallel with video treatments and storyboard development. from conception, audio is forever bonded to its symbiotic images.
since first bursting onto the scene with the now classic album wide angle in 1999 hybrid have been known as one of the most forward thinking and technically skilled acts in electronic dance music. after four extremely well received albums, over twenty singles, countless remixes and a raft of movie & game soundtrack work it is time to reflect on some of the bands numerous highpoints. hybrid classics celebrates and relives some of the bands finest tracks from their breakthrough classic finished symphony to an exclusive cover of depeche modes enjoy the silence (as chosen by an ask-hybrid-to-cover-this fan poll in 2011).
shall not fade welcome jamie unknown to their time is now sister imprint with four weighty bass driven cuts! pressure ep brings together all the best elements of ukg, bass & breaks music forming a hybrid blend of dance music goodness.
cd feel fly is the alter ego of daniele tomassini: dj and producer, composer of sound for theater and cinema, member of multiple hybrid projects, both live and studio
repress . produced by j dilla - mixed by dj pete rock! feat black thought (the roots), doom, m.o.p. and others!!! 25 track collection of unreleased dilla beats mixed and arranged by soul brother no.1, dj pete rock!
recorded in lary 7’s legendary apartment studio plastikville over nearly a decade, larynx is the first full-length retrospective of the east village icon’s hybrid music and engineering practice.
ago gazo set the scene for a hybrid genre in which the notions of trance and liberation are palpable. percussion, instruments and traditional chants from togo, analogical machines and modular synths share a common destiny in this project.
spearhead records bring back some of the most requested tracks from the back catalogue. tracks from bcee, roygreen & protone, villem & mcleod, hybrid minds, glxy & s.p.y
newmonts first release explores a broad-based sound, ranging from breaks to downtempo. the record puts forward a more hybrid-driven score, which is the paris-based idea for this project.
die frequenzjäger eversines und caim führen uns auf der 6. expedition des labels auf eine gemeinsame mission. diese hybrid-veröffentlichung führt euch durch pandemische elektronik mit atmosphärischen synthesizern und zeitverändernden grooves, aufgenommen direkt durch das wurmloch. 100% dancefloor-tauglich in allen galaxien.
agt records return to their editions series with the reissue of a sizzling 4-tracker from stabilizer. originally released in 2001 on boom box records, its sound is a scintillating hybrid of breakbeat and electro and a prime example of the glory days of the early 2000s breaks scene.
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